DC Entertainment has announced a line-wide Vertigo relaunch and rebranding in celebration of the imprint’s 25th anniversary. The relaunch is helmed by Executive Editor Mark Doyle, who returned to DC Vertigo last year after overseeing the Batman family of titles for DC. According to the press release the relaunch is a return to roots and that DC Vertigo editorial is “rededicating its focus to creating modern, socially relevant, high-concept, inventive stories appealing to readers of all genres.”
Seven new titles have been announced featuring creative teams from a variety of entertainment backgrounds. Four of the monthly series will launch this fall and winter with the remain titles to follow in early 2019.
- BORDER TOWN from writer Eric M. Esquivel (Adventure Time, Starburns Presents) with art and covers by Ramon Villalobos (Nighthawk, America) will debut in September
When a crack in the border between worlds releases an army of monsters from Mexican folklore into the small town of Devil’s Fork, Arizona, the residents blame the ensuing weirdness—the shared nightmares, the otherworldly radio transmissions, the mysterious goat mutilations—on “God-dang illegals.” With racial tensions supernaturally charged, it’s up to new kid in town Frank Dominguez and a motley crew of high school misfits to discover what’s REALLY going on
- HEX WIVES from writer Ben Blacker (co-creator of The Thrilling Adventure Hour) with art by Mirka Andolfo (WONDER WOMAN, SHADE, THE CHANGING GIRL) will debut in October
“The women are too powerful. They must be tamed.” A malevolent conspiracy of men brainwashes a coven of witches to be subservient, suburban housewives. But it’s only a matter of time before the women remember their power…
- AMERICAN CARNAGE from writer Bryan Hill (TITANS show set to launch on the DC-branded digital service, MICHAEL CRAY) with art by Leandro Fernandez (THE NAMES, The Punisher Max) will debut in November
In this thrilling crime saga, disgraced FBI agent Richard Wright, who is biracial but can pass for white, goes undercover in a white supremacist group believed to be responsible for the death of a fellow agent.
- GODDESS MODE from writer Zoë Quinn (Crash Override, featured in People’s 25 Women Who Are Changing the World and Forbes’ 30 Under 30) with art by Robbi Rodriguez (Spider-Gwen, FBP: FEDERAL BUREAU OF PHYSICS) will debut in December
In a near future where all of humanity’s needs are administered by a godlike A.I., it’s one young woman’s horrible job to do tech support on it. But when Cassandra finds herself violently drawn into a hidden and deadly digital world beneath our own, she discovers a group of super-powered women and horrific monsters locked in a secret war for the cheat codes to reality.
- HIGH LEVEL from writer Rob Sheridan (former art director for Nine Inch Nails, co-creator of the Year Zero alternate reality game) with art by Barnaby Bagenda (THE OMEGA MEN, GREEN LANTERNS) will debut in 2019
Hundreds of years after the world ended and human society was rebuilt from scratch, a self-interested smuggler with a price on her head is forced to traverse a new continent of danger and mystery to deliver a child messiah to High Level, a mythical city at the top of the world from which no one has ever returned.
- SAFE SEX from writer Tina Horn (host/producer of Why Are People Into That? podcast, writer/journalist/lecturer in sexual education and activism) and artist Mike Dowling(UNFOLLOW, 2000 AD) will debut in 2019
A dystopian sci-fi thriller about a ragtag team of sex workers fighting for the freedom to love in a world where sexual pleasure is monitored, regulated and policed by the government.
- SECOND COMING from writer Mark Russell (God Is Disappointed in You, THE FLINTSTONES) with art by Richard Pace (IMAGINARY FIENDS) will debut in 2019
God sends Jesus to Earth in hopes that he will learn the family trade from Sun-Man, an all-powerful superhero, who is like the varsity quarterback son God never had. But, upon his return to Earth, Christ is appalled to discover what has become of his Gospel and vows to set the record right.
“It’s time to rebuild DC Vertigo,” explains Doyle. “We’re returning to our roots by spotlighting the most exciting new voices in comics, as well as bringing new voices to comics. From the corners of television, games, music, activism, podcasting, comics and more, all of our creators are passionate and have something to say. These sophisticated stories have amazing new characters and vast worlds to explore. That’s what it has always been about for me—new stories, new voices, new possibilities. We’re creating a new generation of DC Vertigo classics for readers of all genres.”